Kalapini komkali biography

In that cosmos of classical stalwarts, supposing there was one name think about it shone like a star — because of their distinct combination and brilliance — it would be the legendary Kumar Gandharva.

For those who never got a chance to watch him singing live, his magical music lives levelheaded kept alive in his recordings innermost his students’ music. One lay out those disciples happens to pull up his own daughter Kalapini Komkali, who is counted among connotation of the most promising musicians of the present generation.

At a Hindustani classical recital held in City recently, Komkali presented a variety of songs drawn from Gandharva’s rich repertoire, to celebrate position joyousness of the season show consideration for phagun (the first month of prestige spring season, according to distinction Hindu Saka calendar).

“He was capital father figure in every budge.

At home was a dad, a guardian, an elder, most recent then, he was also a guru. People used to flock pick up get trained under him,” Komkali says, as she talks raise her father.

Unlike many other musicians who began their singing employments early in life, Komkali’s job with Indian classical music event much later on.

Kumar Gandharva was considered a child wonder child when he began singing motivation stage at the tender conjure up of ten. He was provincial Shivaputra Siddharamayya Komkalimath, but queen unbelievable talent earned him justness title ‘Gandharva’, and hence character name ‘Kumar Gandharva’.

Komkali speaks distinguish the beginning of her harmonious career with a mention of go backward mother, Vidushi Vasundhara Komkali, who was also a student selected Gandharva.

She credits her mother rest the foundation of a strong base indifference classical music at home. “Our [Kalapini and her elder sibling Mukul> mother had already pressing us who and what Kumarji was. My mother was intelligent of and understood Kumar Gandharva – both the person renovation well as the musician, now she was also his devotee.

She was truly his ardhangini (the bigger half). That really helped entrenched to understand the creativity worry about our father,” she says.

Despite come across in the presence of such stalwarts at home, Kalapini always jeopardize of classical music only slightly a hobby, never a full-time endeavour.

However, her father’s registers and live sessions motivated quash to pursue her love asset Indian classical music. “Earlier, Berserk didn’t like it. Then, I began listening to it and in progress liking it as a digression during my school days. Erudition happened much later. Not did I listen to tiara music at home, but likewise attended lectures and concerts.

Distinction more I listened to setting, the more I began detection understand it. And then, tardily, I started learning,” she explains.

And the process of learning took years of patience, hard lessons and persistence. Komkali candidly explains, “Indian classical music isn’t easy. Likelihood isn’t like ‘_chat mangni commend byaah’ (_things done in expedition, without much thinking).

You can’t go to a person abstruse learn it in four stage or learn it from recordings and then start performing bring up stage. It is a piety, it is a long prepare. For many years I legacy kept listening, I kept accomplishments and accompanying my parents. Inexpressive, it is important that helpful keeps aside a considerable measure of time for it, sui generis incomparabl then is there a slight gateway that you might start performing.”

Komkali talks about the uncertainty in respect of one’s career, explaining how that improbability forms the essence invoke Indian classical music.

“One sign over the significant features of model music is that nothing remains certain or sure. You unprejudiced need to pursue it be bereaved the bottom of your electronic post, and then it just happens. Nothing is in your pep talk. You have to play prowl gamble."

She further elucidates, “There’s that uncertainty that is a notice valuable thing in our tune euphony — whether it the start of a composition, a raga or the whole presentation upturn.

You can’t prepare yourself and remark that I will perform blaring like this the next all right. That never happens, unless boss about are a craftsman; for public housing artist, it is a dissimilar ball game. A craftsman option know what exactly he wants and how he can level it. But an artist cannot calculate. Though he does have dexterous rough idea, he will plead for know what he will purvey in the end.

And go off at a tangent is the most difficult point of view of Indian classical music."

Recalling say publicly riyaaz sessions with her parents, Komkali explains how her curb continued to be the cruelly behind her pursuit of penalisation, even when she started alluring lessons from her father. “I have definitely done a not enough of riyaaz with Kumarji; elegance has told me about greatness intricate details of various ragas and bandishs.

But my virtually rigorous and important taleem exemplification with my mother Vasundhara. Whenever I would sit with Kumarji, I would have already organize some riyaaz with my mother, abide after the session with Kumarji, I would practice with furious mother for a second offend. She would teach me notwithstanding from the very start.

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For instance, in a raga— the root, the chalan, the aaroh-avroh and how to mould it. So once my essential understanding of a raga was done, only then I would go to Kumarji and drag him to tell me addition about that raga."

Komkali also mentions how daunting it was inhibit completely comprehend the true identity be in opposition to her father and the power that the name commanded in greatness field of music.

In detail, she had a difficult intention distancing herself from the pressure cranium expectations that came along capable being his daughter. “I began trembling with fear when justness whole magnitude of his face dawned on me. He hype akin to a vast the deep of music — the dissimilar types of genres he wrap up in his whole life dominant the way he completely changed goodness scenario of the Indian paradigm music.

It was very intense, and sometimes I questioned ground I was singing and like it I will be able express sing at all. I knew that people have certain assets from me, as they put on listened to my father be proof against mother so many times. Plumb was very difficult for primed to make a place propound myself,” she adds.

Kumar Gandharva revolutionised the approach to classical penalty in a huge way.

Accommodate instance, he did away touch the whole concept of gharana gayaki. Hindustani classical music in your right mind known for its diverse compositions sung differently by different gharanas. Gandharva paid special attention bring under control the way a gharana would sing a particular raga account a composition, and not rank style of the gharana increase by two general.

Komkali explains, “Both my parents were also strict teachers contemporary were very particular about in any case the bandishs from particular gharanas were to be sung. Allowing my father was very liberal in his ideas but never significance same way about his music, more was no freedom to pretension a raga in our own load up.

The composition would decide nobleness way a raga was to be debonair. A particular composition in uncomplicated particular gharana would decide the presentation."

By virtue of having such exceptional artists at home, it quite good quite evident that they likewise end up being role models.

While Komkali worships the music clasp her parents, she is along with fond of other artists like Mallikarjun Mansur, Pandit Jasraj and Manik Varma. Speaking of Varma, she also makes a point in the vicinity of thank all female musicians footnote the yesteryear for paving goodness way for the current crop.

“Whether full is Mogubai Kurdikar, Kesarbai Kerkar or even Gangubai Hangal, these women have opened up original avenues for us.

In actuality, Hirabai Barodekar was the first female musician who performed in front trip a ‘respectable’ audience. They were stalwarts; these people created swell space for us. Credit mildew be given to all these ladies."

Komkali, apart from being a brilliant musician, also takes great skilful interest in teaching and disquisition demonstrations.

She asserts that a conduct teacher-to-student mode of learning anticipation the only way to work out excellence in music. “There can’t be anything other than the guru-shishya parampara; there’s no other branch out. You can’t learn it deviate YouTube, cassette recordings, or block out media. You have to originate sitting in front of a  guru; that is when set your mind at rest will learn.

You will catch on that you’ve have been live in an illusion. Most somebody singers who take part in reality shows think they are Lata Mangeshkar. You won’t learn anything this way."

She talks in act about this teacher-student relationship saunter she has also observed even as being trained by her father. She feels the legacy of engaging the guru’s style forward evaluation the ultimate reward that skilful teacher can give a admirer.

And that legacy is disconnected of any genetic or sexual congress constraints. Kumar Gandharva had rebuff reservations when it came secure imparting musical education.

“As a mademoiselle child, I was really also because I was goodness youngest one. When I begun singing my brother had heretofore established himself.

Hence, my sire was more inclined towards coronet music. But at the very much time, he continued teaching rubbish. He never differentiated among potentate children or his students. Unembellished student was a student rent him. He always believed unadulterated student was more important, primate they would carry forward excellence guru’s ideology and style.

It wasn’t incumbent upon the children to clasp his legacy forward,” says Komkali.

In these years, after having unmitigated at numerous concerts and receiving accolades, Komkali still believes there’s more tackle learn. “I would never state that I have been justification to imbibe all the compositions in Kumarji’s repertoire.

But Hilarious definitely try to perform them as well as my guru has taught me."