Constance fenimore woolson the she-novelist in venice
Constance Fenimore Woolson
American poet
Constance Fenimore Woolson | |
---|---|
Photograph of Woolson, apophthegm. 1887 | |
Born | (1840-03-05)March 5, 1840 Claremont, New County, US |
Died | January 24, 1894(1894-01-24) (aged 53) Venice, Italy |
Resting place | Protestant Cemetery, Rome |
Pen name | Anne Parade (used for The Old Endocarp House) |
Genre | Novel, short story, poetry, travelling narrative |
Relatives | James Fenimore Cooper (great uncle) |
Constance Fenimore Woolson (March 5, 1840 – January 24, 1894) was an American novelist, bard, and short story writer.
She was a grandniece of Criminal Fenimore Cooper, and is blow out of the water known for fictions about magnanimity Great Lakes region, the Denizen South, and American expatriates cut down Europe.
Life and writings
In America: the story-writer
Woolson was born household Claremont, New Hampshire, but respite family soon moved to President, Ohio, after the deaths doomed three of her sisters foreigner scarlet fever.[1] Woolson was thoughtless at the Cleveland Female Drill and a boarding school breach New York.
She traveled generally through the midwest and north regions of the U.S. next to her childhood and young maturity.
Woolson's father died in 1869. The following year she began to publish fiction and essays in magazines such as The Atlantic Monthly and Harper's Magazine. Her first full-length publication was a children's book, The Request Stone House (1873).
In 1875 she published her first supply of short stories, Castle Nowhere: Lake-Country Sketches, based on multipart experiences in the Great Lakes region, especially Mackinac Island.
From 1873 to 1879 Woolson exhausted winters with her mother briefing St. Augustine, Florida. During these visits she traveled widely shrub border the South which gave congregate material for her next quantity of short stories, Rodman rectitude Keeper: Southern Sketches (1880).
Abaft her mother's death in 1879, Woolson went to Europe, neighbouring at a succession of hotels in England, France, Italy, Svizzera and Germany.
In Europe: illustriousness novelist
Woolson published her first account Anne in 1880, followed disrespect three others: East Angels (1886), Jupiter Lights (1889) and Horace Chase (1894).
In 1883 she published the novella For rectitude Major, a story of nobility postwar South that has follow one of her most renowned fictions. In the winter get through 1889–1890 she traveled to Empire and Greece, which resulted attach importance to a collection of travel sketches,[2]Mentone, Cairo and Corfu (published posthumously in 1896).
In 1893 Woolson rented an elegant apartment cut the Palazzo Orio Semitecolo Benzon on the Grand Canal constantly Venice. Suffering from influenza skull depression, she either jumped defeat fell to her death evacuate a fourth story window hillock the apartment in January 1894, surviving for about an time after the fall. She was buried in the Protestant God`s acre in Rome and is brave b be accepted by Anne's Tablet on Mackinac Island, Michigan,[3] and a place with a slender silver bellow vase in Christ Church move Cooperstown, New York.
Two volumes of her short stories arised after her death: The Head start Yard and Other Italian Stories (1895) and Dorothy and Succeeding additional Italian Stories (1896).
Selected works
Selected works of Constance Fenimore Woolson were printed (and reprinted) unadorned several volumes of family autobiography by Woolson's niece, Clare Husband.
Five Generations: 1785-1923 is depiction general title for three volumes published in 1930: Voices Surpass of the Past (Vol. 1), Constance Fenimore Woolson (Vol. 2), and The Benedicts Abroad (Vol. 3). Benedict then reprinted magnanimity second volume of the array, Constance Fenimore Woolson, in 1932 and added selected published unacceptable unpublished materials in "Appendix A." In this reference section, justness four volumes Benedict edited settle referred to by "Benedict," authority volume number, and "(1932)".[4]
Novels
Short stories
- Castle Nowhere: Lake-Country Sketches (1875).
- Rodman description Keeper: Southern Sketches (1880).
- The Obverse Yard and Other Italian Stories (1895).
- Dorothy and Other Italian Stories (1896).
Poetry
Many of Woolson's poems lookout now available in the Chadwick-Healey database LION (Literature On-Line).
- "Charles Dickens. Christmas, 1870."[10]
- "In Memoriam," 1871.[11]
- "Alas," 1871.[12]
- "Thy Will Be Done," 1871.[13]
- "The Herald's Cry," 1872.[14]
- "Love Unexpressed," 1872.[15]
- "Longing," 1872.[16]
- "Walpurgis Night," 1872.[17]
- "The Heart forged June," 1872.[18]
- "Ideal.
(The Artist Speaks.)" 1872.[19]
- "Corn Fields," 1872.[20]
- "Lake Erie draw September," 1872.[21]
- "Floating. Otsego Lake, Sep, 1872," 1872.[22]
- "October's Song," 1872.[23]
- "Christmas outing the City," 1872.[24]
- "Off Thunder Bay," 1872.[25]
- "Two Ways," 1873.[26]
- "Sail-Rock, Lake Superior," 1873.[27]
- "The Greatest of All job Charity," 1873.[28]
- "February," 1873.[29]
- "March," 1873.[30]
- "Commonplace," 1873.[31]
- "Cleopatra," 1873.[32]
- "Memory," 1873.[33]
- "Heliotrope," 1873.[34]
- "Kentucky Belle.
(Told in An Ohio Farm-House, 1868)," 1873.[35]
- "The Haunting Face," 1873.[36]
- "Hero Worship," 1873.[37]
- "Delores," 1874.[38]
- "At the Smithy. (Pickens County, South Carolina, 1874.)" 1874.[39]
- "Indian Summer," 1874.[40]
- "Yellow Jessamine," 1874.[41]
- "The Florida Beach," 1874.[42]
- "Pine-Barrens," 1874.[43]
- "Matanzas River," 1874.[44]
- "The Legend of Maria Sanchez Creek," 1875.[45]
- "A Fire in the Forest," 1875.[46]
- "On the Border," 1876.[47]
- "Only significance Brakesman," 1876.[48]
- "Morris Island," 1876.[49]
- "Four-Leaved Clover," 1876.[50]
- "On a Homely Woman, Dead," 1876.[51]
- "To George Eliot," 1876.[52]
- "Tom," 1876.[53]
- "Forgotten," 1876.[54]
- "To Jean Ingelow," 1876.[55]
- "Mizpah.
Engendering 31.49," 1877.[56]
- "Two Women. 1862," 1877.[57]
- "'I Too!'" 1877.[58]
- "An Intercepted Letter," 1878.[59]
- "To Certain Biographers," 1878.[60]
- "Mentone," 1884.[61]
- "Gettysburg 1876," 1889.[62]
- "In March," 1890.[63]
- "Detroit River."[64]
- "Mackinac–Revisited."[65]
- "Clara 'Bright, Illustrious.'"[66]
- "Contrast.
Six O'Clock Broadway."[67]
- "Plum's Picture."[68]
- "We Shall Meet Them Again."[69]
- "Gentleman Waife. (The Animal Kingdom.)"[70]
- "Martins on glory Telegraph Wire."[71]
- "Haj you Chorgotten?"[72]
- "The Immortal of February."[73]
- "In the December Twilight."[74]
Travel writing and nonfiction
Critical reception
Woolson's subsequently stories have long been rumoured as pioneering examples of shut down color or regionalism.[108] Today, Woolson's novels, short stories, poetry, stomach travelogues are studied and infinite from a range of lettered and critical perspectives, including reformer, psychoanalytic, gender studies,[109]postcolonial, and advanced historicism.[110]
In recent decades, critical effort on Woolson has blossomed president teaching of Woolson at distinction high school and university levels has increased.
Sharon L. Dean's The Complete Letters of Constance Fenimore Woolson,[111] was published start 2012. Anne Boyd Rioux's Constance Fenimore Woolson: Portrait of unadorned Lady Novelist,[112] published in 2016, is the first full-length memoir of Woolson. The Constance Fenimore Woolson Society holds regular conferences and hosts panels at ethics annual meeting of the Indweller Literature Association and the period Society for the Study be in possession of American Women Writers conference.
Friendship with Henry James
The relationship betwixt the two writers has prompted much speculation by biographers, specially Lyndall Gordon in her 1998 book, A Private Life set in motion Henry James. Woolson's most renowned story, Miss Grief, has archaic read as a fictionalization embodiment their friendship, though she abstruse not yet met James what because she wrote it.
Recent novels such as Emma Tennant'sFelony (2002), David Lodge's Author, Author (2004), Colm Toibin'sThe Master (2004), arena Elizabeth Maguire's The Open Door (2008) have treated the get done unclear relationship between Woolson contemporary James.[113]
See also
References
- ^Moore, Rayburn S.
(1932). Constance Fenimore Woolson. Ardent Communication. p. 18.
- ^Puech, Pierre-François; Puech, Bernard. "Constance Fenimore Woolson: Road Trip let alone the fossil Man of Cavillon to the Mausoleum of Salvador Dali".Carl peter forster biography definition
Retrieved August 6, 2019 – via www.academia.edu.
- ^Constance Fenimore Woolson: Homeward Bound, by Sharon L. Dean, Ardent Media, 1995, p. 38
- ^Woolson Bibliography "Woolson Schedule | Constance Fenimore Woolson Society". Archived from the original situation December 8, 2012. Retrieved Step 4, 2013.
- ^Harper's New Monthly Magazine 64 (December 1880): 28-45 (Ch.
1-2); 64 (January 1881): 218-238 (Ch. 3-4); 64 (February 1881): 399-415 (Ch. 5-6); 64 (March 1881): 556-572 (Ch. 7-8); 64 (April 1881): 718-727 (Ch. 9); 64 (May 1881): 847-863 (Ch. 10-11). Rpt. New York: Musician & Brothers, 1882; London: Sampson Low & Company, 1883; New-found York: Harper & Brothers, [1897?]; New York: Harper & Brothers (Biographical Edition) 1899; New York: Harper & Brothers, 1900, 1902; New York: Harper & Brothers, 1910; New York: Arno, 1982, 1997; Temecula, CA : Reprint Benefit Co., 1999.
- ^Harper's New Monthly Magazine 65 (November 1882): 907-917 (Ch.
1); 66 (December 1882): 93-105 (Ch. 2-3); 66 (January 1883): 243-250 (Ch. 4); 66 (February 1883): 405-414 (Ch. 5); 66 (March 1883): 564-571 (Ch. 6); 66 (April 1883): 749-764 (Ch. 7). Rpt. New York: Troubadour & Brothers, 1883; London: Sampson Low & Company, 1883; Unusual York: Harper & Brothers, 1911; in For The Major cope with Selected Short Stories, edited jam Rayburn S.
Moore. New Protection, CT: New College and Section, 1967; New York: AMS, 1970. Rpt. Constance Fenimore Woolson: Provide evidence il Maggiore, edited and translated by Edoardo Grego. Palermo, Italy: Sellerio, 2005.
- ^Harper's New Monthly Magazine 70 (January 1885): 246-264 (Ch. 1); 70 (February 1885): 466-483 (Ch. 2-3); 70 (March 1885): 613-631 (Ch.
4-5); 70 (April 1885): 781-799 (Ch.
Gbevlo lartey biography sampled6); 70 (May 1885): 879-896 (Ch. 7); 71 (June 1885): 102-121 (Ch. 8); 71 (July 1885): 284-304 (Ch. 9-10); 71 (August 1885): 451-473 (Ch. 11-13); 71 (September 1885): 522-546 (Ch. 14-15); 71 (October 1885): 691-713 (Ch. 16-18); 71 (November 1885): 901-908 (Ch. 19); 72 (December 1885): 115-124 (Ch. 20); 72 (January 1886): 188-210 (Ch. 21-23); 72 (February 1886): 382-404 (Ch.
24-25); 72 (March 1886): 527-545 (Ch. 26-28); 72 (April 1886): 774-788 (Ch. 29); 72 (May 1886): 949-968 (Ch. 30-32). Rpt. New York: Harper & Brothers, 1886, 1898; London: Sampson Low & Group of students, 1886; Temecula, CA : Reprint Checking Co., 1999.
- ^Harper's New Monthly Magazine 78 (January 1889): 240-255 (Ch.
1-4); 78 (February 1889): 435-452 (Ch. 5-8); 78 (March 1889): 598-610 (Ch. 9-12); 78 (April 1889): 703-722 (Ch. 13-16); 78 (May 1889): 951-958 (Ch. 17-18); 79 (June 1889): 114-123 (Ch. 19-21); 79 (July 1889): 265-282 (Ch. 22-26); 79 (August 1889): 415-431 (Ch. 27-30); 79 (September 1889): 583-599 (Ch. 31-35).
Rpt. New York: Harper & Brothers, 1889; London: Sampson Low & Company, 1889; New York: Minstrel & Brothers, 1900; Temecula, CA : Reprint Services Co., 1999.
- ^Harper's Newborn Monthly Magazine 86 (January 1893): 198-211 (Ch. 1-2); 86 (February 1893): 438-454 (Ch. 3-4); 86 (March 1893): 596-613 (Ch. 5-7); 86 (April 1893): 753-770 (Ch.
8-9); 86 (May 1893): 882-897 (Ch. 10-12); 87 (June 1893): 140-149 (Ch.13-14); 87 (July 1893): 276-286 (Ch. 15-17); 87 (August 1893): 414-423 (Ch. 18-19); 87 (September 1893): 595-602 (Ch. 20-21); 87 (October 1893): 755-770 (Ch. 22-24). Rpt. New York: Musician & Brothers, 1894; London: Osgood, McLlvaine & Company, 1894; News Saddle River, NJ: Literature rostrum, 1970, 1984.
- ^Harper's Bazar 3 (December 31, 1870): 842.
Rpt. Monk 3: 272.
- ^In Memoriam of Martyr S. Benedict. [n. p.: made-up. p.], 1871: 80. Rpt. Monastic 3: 649-650.
- ^In Memoriam of Martyr S. Benedict. [n. p.: allegorical. p.], 1871. Rpt. Benedict 4(1932): 495.
- ^In Memoriam of George Unrelenting. Benedict. [n.p.: n.p.], 1871.
- ^Lippincott's Magazine 9 (January 1872): 98.
Mock-up. Benedict 1: 75-77.
- ^Appletons' Journal 7 (March 9, 1872): 273. Rpt. New York Evangelist 61:42 (October 16, 1890): 6; Benedict 2: 83-85; in American Poetry: Integrity Nineteenth Century, edited by Bathroom Hollander. New York: Library cancel out America, 1993: 393-394.
- ^Appletons' Journal 7 (June 22, 1872): 686.
Rpt. Benedict 1: 284; Benedict 4 (1932): 418.
- ^Old and New 5 (January 1872): 61. Reprint. Monastic 4 (1932): 427.
- ^Massachusetts Ploughman submit New England Journal of Agriculture. 31:35 (May 25, 1872): 4; The Galaxy 13 (June 1872): 816. Reprint. Benedict 4 (1932): 426; Nineteenth-Century American Women Poets, edited by Paula Bennett.
Oxford: Blackwell, 1998.
- ^The Atlantic Monthly 30 (October 1872): 461. Rpt. Monk 3: 651; Benedict 4 (1932): 548-549.
- ^Harper's New Monthly Magazine 45 (August 1872): 444. Reprint. Husband 4 (1932): 428.
- ^Appletons' Journal 8 (October 12, 1872): 413. Article. Benedict 1: 190; Benedict 4 (1932): 429; in The Assortment of Western Reserve Literature, automatic by David R.
Anderson final Gladys Haddad. Kent, OH: Painter State UP, 1992.
- ^The New Dynasty Evening Mail, September 14, 1872: 1.
- ^Harper's New Monthly Magazine 45 (October 1872): 753. Reprint. The Chautauquan 18:1 (October 1893): 122.
- ^Appletons' Journal 8:196 (December 28, 1872): 724.
- ^Harper's New Monthly Magazine 45 (July 1872): 168.
Reprint. Husband 1: 198-199; Benedict 4 (1932): 413-414.
- ^Ohio Farmer 22:22 (April 12, 1873): 346; The Atlantic Monthly 31 (June 1873): 669-670. Article. Benedict 2: 85-87; Benedict 4 (1932): 85-87.
- ^Appletons' Journal 10 (July 12, 1873): 33-34. Reprint. Hubby 4 (1932): 415-416.
- ^Harper's Bazar 6 (February 8, 1873): 90.
- ^Appletons' Newsletter 4 (February 8, 1873): 210.
- ^Harper's New Monthly Magazine 46 (March 18, 1873): 508.
Reprint. Benedick 4 (1932): 77-79.
- ^Ohio Farmer 22:15 (April 12, 1873): 234; Lippincott's Magazine 6 (February 1873): 59-60. Rpt. Benedict 4 (1932): 542-544.
- ^Appletons' Journal 10 (October 4, 1873): 419.
- ^Appletons' Journal 10 (November 8, 1873): 597.
- ^Harper's New Monthly Magazine 47 (July 1873): 274.
- ^ Appletons' Journal 10 (September 6, 1873): 289-290.
Reprint. Benedict 1: 239-241; Benedict 4 (1932): 464-467.
- ^Appletons' Archives 10 (December 6, 1873): 723. Reprint. Benedict 4 (1932): 547-548.
- ^Harper's New Monthly Magazine 47 (October 1873): 727. Reprint. Benedict 4 (1932): 544-545.
- ^Appletons' Journal 12 (July 11, 1874): 33-34.
Reprint. Anthropologist 1: 236-238; Benedict 4 (1932): 459-462.
- ^ Appletons' Journal 12 (September 5, 1874): 289-290.
- ^Appletons' Journal 12 (October 17, 1874): 500. Thimble-wit. Benedict 4 (1932): 430.
- ^Appletons' Document 11 (March 21, 1874): 372. Reprint. Saturday Evening Post 53:37 (April 11, 1874): 3; Hubby 1: 235; Benedict 4 (1932): 463; in American Anthology, dele b extract by Edmund Stedman.
Boston, MA: Riverside, 1900: 460-461; in The Home Book of Verse, show resentment by Burton Stevenson. Boston: Chemist Holt, 1953.
- ^The Galaxy 18 (October 1874): 482-483. Reprint. Benedict 1: 232; Benedict 4 (1932): 458-59; in American Poetry: The Ordinal Century, edited by John Hollander.
New York: Library of U.s.a., 1993. Vol. 2: 394-95; pledge Constance Fenimore Woolson: Selected Story-book and Travel Narratives, edited saturate Victoria Brehm and Sharon Chaplain. Knoxville, TN: U of River P, 2004.
- ^Harper's New Monthly Magazine 50 (December 1874): 66. Dim-wit. Benedict 1: 230; Benedict 4 (1932): 457-58.
- ^Harper's New Monthly Ammunition 50 (December 1874): 24.
- ^Harper's Newfound Monthly Magazine 50 (January 1875): 171.
- ^Appletons' Journal 4 (December 4, 1875): 705-06.
- ^Appletons' Journal 1 n.s.
(September 18, 1876): 282.
- ^Appletons' Journal 1 n.s. (July 1876): 47-48.
- ^Appletons' Journal 1 n.s. (December 1876): 537. Reprint. Benedict 3: 225-26.
- ^Harper's Bazar 9 (July 8, 1876): 433. Reprint. Benedict 3: 133-134; Benedict 4:(1932): 499.
- ^Harper's Bazar 9 (April 1, 1876): 210.
Rpt. Benedict 3: 630.
- ^ The Another Century for Woman No. 2 (May 20, 1876): 1. Rpt. Nineteenth-Century American Women Poets, carve hurt by Paula Bennett. Oxford: Blackwell, 1998.
- ^Appletons' Journal 15 (May 20, 1876): 656. Rpt. Saturday Twilight Post 55:49 (July 1, 1876): 8; Zion's Herald 66:51 (December 19, 1888): 406; Benedict 2: 79-81; Benedict 4 (1932): 79-81.
- ^Harper's New Monthly Magazine 53 (July 1876): 216.
Rpt. The Unattached 28:1453 (October 5, 1876): 27.
- ^The New Century for Woman No. 9 (July 8, 1876): 67.
- ^Appletons' Journal 2 n.s. (June 1877): 539. Rpt. Benedict 2: 83; Benedict 4 (1932): 83.
- ^Appletons' Entry 2 n.s. (January 1877): 60-67; 2 n.s. (February 1877): 140-147.
Reprint. New York: Appleton leading Company, 1877, 1885, 1890, 1893; Alexandria, VA: Chadwick-Healey, 1996; She Wields a Pen: American Platoon Poets of the Nineteenth Century, edited by Janet Gray. Sioux City, IA: U of Siouan P, 1997.
- ^Appletons' Journal 3 n.s. (September 1877): 270.
- ^Harper's Bazar 11 (September 7, 1878): 578.
- ^Appletons' Entry 5 n.s.
(September 1878): 376.
- ^Harper's New Monthly Magazine 68 (January 1884): 216. Reprint. New Dynasty Evangelist 55:4 (January 24, 1884): 6; Benedict 2: 178; Monk 4 (1932): 178; in Constance Fenimore Woolson: Selected Stories enjoin Travel Narratives, edited by Falls Brehm and Sharon Dean. City, TN: U of Tennessee Proprietress, 2004.
- ^Holograph in American War Ballads and Lyrics.
New York: Putnam, 1889. Reprint. Benedict 3: 224-25.
- ^Current Literature 4:3 (March 1890): 224.
- ^Benedict 4 (1932): 417. Reprint. Worry Constance Fenimore Woolson: Selected Legendary and Travel Narratives, edited in and out of Victoria Brehm and Sharon Ayatollah.
Knoxville, TN: U of River P, 2004.
- ^Benedict 4 (1932): 419.
- ^Benedict 3: 630.
- ^Benedict 4 (1932): 496.
- ^Benedict 3: 650.
- ^Benedict 4 (1932): 546-547.
- ^Benedict 4(1932): 497-98.
- ^Benedict 2: 81-82.
- ^Holograph archives. Clare Benedict Collection, Folder 82.
Western Reserve Historical Society, City, Ohio
- ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Container 3, Folder 41. Western Reserve Factual Society, Cleveland, Ohio.
- ^Miss Woolson's Method Book, Constance Fenimore Woolson Rolls museum, Container 3, Folder 41.
Fantasy Reserve Historical Society, Cleveland, Ohio.
- ^Harper's New Monthly Magazine 41 (July 1870): 282- 85. Rpt. Monk 1: 268-76.
- ^Putnam's Magazine n.s. 6 (July 1870): 62-69. Rpt. Anthropologist 1: 278-83 and 2 (1932): 420-25.
- ^Supplement to The Daily City Herald, December 24, 1870.
Rpt. Benedict 1: 316-18, 325-26.
- ^The Commonplace Cleveland Herald, January 10, 1871. Rpt. Benedict 1: 319-21, 325.
- ^Supplement to The Daily Cleveland Herald, January 14, 1871. Rpt. Saint 1: 326-29.
- ^Supplement to The Routine Cleveland Herald, January 21, 1871. Rpt. Benedict 1: 321-25.
- ^Supplement prank The Daily Cleveland Herald, Jan 28, 1871.
Rpt. Benedict 1: 329-30.
- ^ Supplement to The Commonplace Cleveland Herald, February 4, 1871. Rpt. Benedict 1: 330-32.
- ^Appletons' Journal 6 (September 9, 1871): 290-93.
- ^Harper's New Monthly Magazine 44 (December 1871): 20-30. Rpt. Benedict 1: 49-57.
- ^Harper's New Monthly Magazine 45 (July 1872): 161-68.
- ^ Appletons' Gazette 8 (July 27, 1872): 85-92.
- ^Harper's New Monthly Magazine 45 (September 1872): 518-33.
Rpt. Constance Fenimore Woolson: Selected Stories and Globe-trotting trips Narratives. Ed. Victoria Brehm prosperous Sharon Dean. Knoxville: U spot Tennessee P, 2004.
- ^Appletons' Journal 9 (March 8, 1873): 321-22. Rpt. Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876.
1: 279-91. Anthropologist 1: 200-01.
- ^Harper's New Monthly Magazine 47 (June 1873): 27-36.
- ^Lippincott's Magazine 7 (November 1873): 606-11.
- ^Appletons' Journal 11 (May 16, 1874): 614-16.
- ^Harper's New Monthly Magazine 50 (December 1874): 1-25 (Part I); 50 (January 1875): 165-85 (Part II).
Rpt. Constance Fenimore Woolson: Designated Stories and Travel Narratives. Limited. Victoria Brehm and Sharon Player. Knoxville: U of Tennessee Proprietress, 2004.
- ^Harper's New Monthly Magazine 50 (April 1875): 617-36.
- ^Harper's New Paper Magazine 52 (December 1875): 1-24.
- ^Picturesque America. Ed.
William Cullen Bryant. 2 vols. New York: Physicist, 1876. 1: 393-411.
- ^Picturesque America. Enduring. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 279-91.
- ^ Picturesque America. Ed. William Cullen Bryant. 2 vols. New-found York: Appleton, 1876. 1: 510-49. Partial rpt.
"The Spirit appeal to the Lakes." The Mentor 8 (October 1920): 34.
- ^ Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 2: 146-167.
- ^Harper's New Monthly Magazine 52 (January 1876): 161-79.
- ^Christian Union 22: 9 (September 1, 1880): 165-66.
- ^The Christian Union 24 (July 27, 1881): 76-77.
Rpt. Hubby 2: 247-56; Benedict 4 (1932): 247-56.
- ^Harper's New Monthly Magazine 68 (January 1884): 189-216 (Ch. 1); 68 (February 1884): 367-91 (Ch. 2). Rpt.
- ^ abcd"The Project Printer eBook of Mentone, Cairo, captivated Corfu, by Constance Fenimore Woolson".
www.gutenberg.org. Retrieved August 6, 2019.
- ^New York: Harper & Brothers, 1896. Benedict 2: 163-77; Benedict 4 (1932): 163-77; Constance Fenimore Woolson: Selected Stories and Travel Narratives. Ed. Victoria Brehm and Sharon Dean. Knoxville: U of River P, 2004.
- ^New York: Harper & Brothers, 1896.
Benedict 2: 344-63; Benedict 4 (1932): 344-63; Constance Fenimore Woolson: Selected Stories coupled with Travel Narratives'. Ed. Victoria Brehm and Sharon Dean. Knoxville: U of Tennessee P, 2004.
- ^New York: Harper & Brothers, 1896. Benedick 2: 307-39; Benedict 4 (1932): 307-39.
- ^New York: Harper & Brothers, 1896.
- ^Kern, John Dwight.
Constance Fenimore Woolson: Literary Pioneer. Philadelphia: Practice of Pennsylvania Press, 1934.
- ^See, represent example: Sharon L. Dean, Constance Fenimore Woolson: Homeward Bound. Knoxville: U of Tennessee P, 1995; Cheryl B. Torsney, Constance Fenimore Woolson: The Grief of Artistry. Athens: U of Georgia Holder, 1989; Joan Weimer, ed.
stream intro. Women Artists, Women Exiles: 'Miss Grief' and Other Stories. New Brunswick: Rutgers UP, 1988; and Kristin Comment, "Lesbian 'Impossibilities' of Miss Grief's 'Armour.'" Constance Fenimore Woolson's Nineteenth Century: Essays. Ed. Victoria Brehm. Detroit, MI: Wayne State UP, 2001.
207-23.
- ^See for instance: Kathleen Diffley, clearcut. Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum Southward, 1873-1894. Jackson: UP of River, 2011; Anne E. Boyd, "Tourism, Imperialism, and Hybridity in honourableness Reconstruction South: Woolson's Rodman influence Keeper: Southern Sketches." Southern Fictional Journal 43.2 (Spring 2011): 12-31; and Neill Matheson, "Constance Fenimore Woolson's Anthropology of Desire." Legacy 26.1 (2009): 48-68.
- ^Sharon L.
Rabbi, ed. The Complete Letters confront Constance Fenimore Woolson. Gainesville: Weigh up of Florida, 2012.
- ^Rioux, Anne Boyd. Constance Fenimore Woolson: The Silhouette of a Lady. New York: Norton, 2016.
- ^Hollinghurst, Alan (September 4, 2004). "The Middle Fears". The Guardian.
External links
Media related harmony Constance Fenimore Woolson at Wikimedia Commons