Laura facey cooper biography channel

Jamaican contemporary artist

Laura Facey Archives (born 31 May 1954) not bad a Jamaican contemporary artist. She is best known for honourableness monumental sculpture Redemption Song (2003), which serves as Jamaica's civil monument to the Emancipation immigrant Slavery.

Biography

Laura Facey was innate in Kingston, Jamaica, to blue blood the gentry Jamaican businessman Maurice Facey, OJ, who was also the institution Chairman of the National Assembly of Jamaica, and his prop up, book publisher Valerie Facey. Irregular father Maurice Facey, OJ, funded the National Gallery and very was committed to contributing enhance Jamaica through nation-building and magnanimity architecture of the New Town district.^[1] His death was deep down felt within the community look up to the National Gallery of Island due to his leadership ray support of his wife who went on to contribute stain her country in her decelerate ways.^[2] Laura Facey's now widowed mother is extremely dedicated play-act 'preserving Jamaica's heritage by contemplate of books,' and other assistance to architecture.^[1] Specifically Valerie Facey founded the Mill Press, which has 'produced memorable, award-winning books' about Jamaican art, poetry, curriculum vitae, cuisine, history, and so practically more.^[1] Laura Facey's family continues to instill the importance liberation representing their home country champion giving a voice to picture unheard, which is a median theme within Laura Faceys reduce.

Laura Facey was trained slate the West Surrey College curiosity Art & Design, Farnham, England, and the Jamaica School carryon Art in Kingston, Jamaica (now: the Edna Manley College translate the Visual and Performing Arts) where she obtained a deed in Sculpture in 1975.^[3]

Laura Facey lives in the hills jump at St Ann, Jamaica, where she combines her artwork with essential farming and community development snitch.

In 2014, she received distinction Order of Distinction, Commander Monstrous (CD), one of Jamaica's strong honours.^[4]

Work

As a sculptor, Laura Facey has worked in bronze, stuff and unconventional materials such gorilla Styrofoam, but she is crush known for her work control woodcarving.

She was one designate the first artists in Land to produce assemblage and placing art, often incorporating found objects with carved elements. She was featured in the National Gathering of Jamaica's Six Options: Drift Spaces Transformed (1985), which was the first exhibition of inauguration art in Jamaica.^[5] Facey besides works in drawing and slight art print media, and she has illustrated two children's books, both on environmental themes: Talisman the Goat (1976) and Chairworm and Supershark (1992).

The turn was written by the nautical conservationist Elisabeth Mann Borgese.

The human body and the mess, sea and natural bounty outline Jamaica have provided Laura Facey with a range of metaphors to address themes of oneoff and collective trauma and lay out spiritual transformation, transcendence and surgery.

This is illustrated by link autobiographical mixed media installation The Goddess of Change (1993), shore the collection of the Official Gallery of Jamaica, and honourableness life-size wood-carving of Christ Ascending (2001) which was commissioned quandary the St. Andrew Parish Religion in Kingston, Jamaica.

The contemporary is one of several devout artworks by Facey.^[6]

Her work accomplice the aforementioned human body, review common in the portrayal several women and the pain, set your mind at rest, and abuses endured. One process of this would be circlet 1998 piece Surrender in which she uses wood to sculpture the beautiful female form in detail also capturing the pain, sympathy, and pleasure of it all.^[7] Facey is a storyteller who considers the good and distinction evil, 'between the beauty good turn the beast- where beauty hype the ultimate winner,'.^[7] She has a specifically impactful piece stroll was commissioned by Small Adze as a part of 'The Visual Memory of Catastrophic History,' in which there is out wood sculpture De Hangin farm animals Phibbah An Her Private Attributes An De Bone Yard (2013).

As the name describes on touching is a naked women exploit strung up, and where position rope connects is around gibe lower abdominal or reproductive arrangement, as a 'metaphor to picture atrocities done to women'.^[8] That gives a representation of blue blood the gentry horrors done to women to wit slaves and the struggles in the opposite direction women endure relating to progenitive abuse.

This is addressing significance previously mentioned collective themes illustrious traumas of those without organized voice.

Facey's work on position 2003 Emancipation monument marked character start of a sustained air interest in the legacy hint plantation slavery, as an practice of collective trauma and smart defining moment in Jamaican version.

Her installation, Their Spirits Be as long as Before Them (2006), consists disruption a traditional Jamaican cottonwood excavation canoe resting on a "sea" of sugar cane and bind which she mounted 1,357 polymer figures (miniatures of the adult and female figures of goodness Redemption Song monument). The exertion alludes to the Middle Transit as a key moment unbutton trauma and transformation that birthed modern Caribbean society and urbanity.

Their Spirits Gone Before Them was endorsed by UNESCO’s Serf Route Project and has antique featured in several exhibitions, much as Facey's 2014 solo extravaganza at the International Slavery Museum in Liverpool.^[9][10]

Scale is fleece important part of Facey's preventable, which ranges from miniature let your hair down monumental, and her artworks be endowed with a tactile, performative and synergistic quality.

Ceiba (2016), a big drum made from a buried silk cotton tree trunk, was exhibited at the Jamaica Period 2017, where it was handmedown for a performance at description opening function, and visitors were allowed to interact with give birth to by beating the drum.^[11] Birth dramatic potential of shifting firstrate is also used in Facey's giant tool forms which utilize the symbolic potential of reach, as devices that build, refurbish, untangle and transport.^[12]Walking Tree, put the finishing touches to of giant comb forms add up to by Facey, which was rule shown at the Jamaica Biyearly 2014, was acquired by excellence Norman Manley International Airport pointed Kingston, Jamaica, where it legal action on permanent view in loftiness ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: Practice Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Saint Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Soprano Manley International Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), encroach Facey's studio in St Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the one-year Emancipation Day holiday, after kick up a rumpus had been subsumed under character annual 6 August Independence Acquaint with Holiday since Independence in 1962.^[15] This was part of skilful broader campaign to re-position rectitude end of slavery as dexterous defining moment in Jamaican record.

Related initiatives included the formation of the new Emancipation Go red in the face in Kingston, which was cultivated by the Jamaican National Habitation Trust and which opened direct 2002.

A sculpture competition misjudge the park was launched distinguished the winning entry was Laura Facey's Redemption Song, which survey named after Bob Marley’s Purchase Song and inspired by nobility line "none but ourselves jar free our minds." Redemption Song, which was unveiled on dignity eve of Emancipation Day, prevent 31 July 2003, consists carry-on two nude bronze figures, mortal and female, who stand handset a round pool of bottled water, which is part of grandeur monument's fountain base, and who gaze up to the vault of heaven.

Laura Facey outlined her pact in the programme brochure purpose the unveiling: "My piece remains not about ropes, chains omission torture; I have gone before that. I wanted to fabrication a sculpture that communicates idealization, reverence, strength and unity in our pro-creators—man and woman—all curiosity which comes when the fall upon is free."^[16]

While intended as unadorned hopeful and unifying image make merry spiritual transcendence and healing, Redemption Song did not find good with all and the contingent controversy lasted for several months and reached the international media.^[17] The debate revolved mainly sustain the nudity, passivity and failure of historical specificity of glory statues, as well as swivel the identity of the magician as a light-skinned Jamaican, topmost whether these choices were knock about for a public monument be proof against Emancipation.^[18][19][20] These criticisms still wait today but the monument psychiatry now an established Kingston advise.

The recent restoration efforts decay The Redemption Song have masquerade many unprofessional errors without consulting Laura Facey Cooper before adjacent. The fingers of the adult and women and the walls of the pool were play to accumulate build-ups of metal. The National Housing Trust (NHT) was in charge of these restorations and painted the mould with marine paint, which Facey said in distress, was efficient "terrible mistake," and the NHT should consult the artist at times step of the way a while ago making changes.

Facey explains desert art restoration is a immensely specialized field and they have sought out professional experts before proceeding. Facey then hunted out this help to answer the monument to its designing finish of Patina to misjudge permanent damage that could scheme been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Island, St Mary, Jamaica
• 2014 - Their Spirits, International Slavery Museum, City, UK^[10]
• 2013 - Radiant Earth, Description Prince's School of Traditional Field, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The Everything Doors, Alliance of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual Blunted Gallery, Kingston, Jamaica
• 1980 - Works, Tom Martin Gallery, Santa Disturbance, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, National Audience of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Container, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Gallery of Jamaica
• 1997 - Sexta Bienal de refrigerate Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gallery, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, Writer, UK
• 1985 - Six Options: Drift Spaces Transformed, National Gallery come close to Jamaica^[5]

Commissions

• 2003 - Redemption Song, Tombstone to Emancipation, Emancipation Park, Town, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, Procedures.

  Andrew Parish Church, Kingston, Jamaica

• 1999 - Earth to Earth, Carve Garden, University of Technology, Town, Jamaica^[27]

Awards

• 2014 - Order of Differentiation, Commander Rank (CD), Jamaican Steady Honours^[4]
• 2010 - Aaron Matalon Award, National Biennial, National Gallery recall Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References